Lear: The "Abused Nature" "Of This Child-Changed Father"

One of the great pleasures in reading literature is to discover a few sentences or lines that are so rich with significance that they simultaneously do two things.  On the one hand, they deepen the narrative, play, or poem as it advances, and, on the other hand, radiate, and encapsulate, the work’s broader meaning and concerns.

In Shakespeare’s King Lear, Act 4, scene 7, lines 16-19, Lear’s youngest daughter Cordelia meets her father and becomes overwhelmed by his state of affairs:  his dementia and his abandonment -- more than that, his abuse and rejection -- by his other two elder daughters Goneril and Regan.  Cordelia interrupts her speech with an apostrophe to the “kind gods,” and she prays that Lear may be healed.

CORDELIA                                           O, you kind gods,
Cure this great breach in his abusèd nature!
Th’ untuned and jarring senses, O, wind up,
Of this child-changèd father!

-- King Lear, IV.vii.16-19

The short passage is pregnant with significance, especially double meanings.

First, “abused nature” refers most immediately to his madness (i.e., insanity).  Cordelia finds his unmooring from reality to be particularly pitied.  These are his “untuned and jarring senses.” At the same time, the “abused nature” signifies the natural relationship of father and daughter that Goneril and Regan have “abused” in not patiently caring for their aging, ailing father and in their acute hostility toward him. This is also, as much as the dementia, the “breach” in his natural constitution:  as a person of sound mind and as a father of (falsely) doting daughters.  Ironically, it was Cordelia who in Act 1 affirmed her love for Lear “as are right fit” (1.1.107) and “according to my [natural filial] bond” (1.1.102), yet whom Lear rejected, abused, by disowning and banishing from the kingdom. 

"Lear and Cordelia," Ford Madox Brown, 1848

Second, the other petition in Cordelia’s prayer is for the gods to “wind up,” or to mend or fix, the senses (the mental, perceptual, and emotional capacities) of this “child-changed father.”  The image may be one of a chiming clock, “untuned and jarring,” imprecise in reflection of reality (as a clock that needs to be wound) and jarring in the sound it makes as a result of its chiming at the wrong time. Lear himself variously lashes out and speaks nonsense because of the two factors that so plague him:  his failing mental capacities and his shattered family relationships with his children.  He is, both because of his own banishment of Cordelia and because of Goneril’s and Regan’s essential “banishment” of him, a “child-changed father.”

This passage, then, echoes succinctly a key, overarching, tragic irony of the play. Lear himself, because of his combined natural, hasty, manic disposition and his increasing dementia, rejects genuine affection where it was to be found (Cordelia) and is himself rejected by false affection where he chose, in his foolish pursuit of public professions, to believe it was true (Goneril and Regan).  Cordelia perceives and feels deeply the tragedy of Lear’s losing himself and his ties to his daughters, both of which are abuses to his nature.

The Loving Tensions of Peter Singer

In reading a conversation between Peter Singer and Alex Voorhoeve, I was struck by a central tension in Prof. Singer's explanation of his ethical views.  It is this.  On the one hand, the Princeton University professor insists that human persons share equal respective value and should be both considered and treated on radically equal terms.  On the other hand, he acknowledges that meaningfulness in human relationships stems from considering and treating human persons on fundamentally different terms. How do we reconcile these ideas and senses?

The Human Status of Frances Kamm

What if you could have a thirty-minute conversation with each of eleven distinguished people about their views on a subject in which you were keenly interested?  What would you think?  If you are like me -- and if that subject was, say, moral philosophy -- you would be a little giddy.  So you can imagine my excitement when I ran across and began to read a recent book by Alex Voorhoeve, Conversations on Ethics (2009).

As a way of processing these conversations, I intend to post some reflections on each, starting now with the conversation that Frances Kamm has with Alex Voorhoeve.  Professor Kamm points to what she believes is the deep structure of morality.  The impetus for this in her life as a philosopher was a graduate seminar taught by Robert Nozick, who earlier in Anarchy, State, and Utopia had introduced the so-called "paradox of deontology."

The paradox of deontology involves this tension.  Assume that, on the one hand, you believe that everyone possesses the same rights against being harmed in a certain way, but then ask, on the other hand, how would you answer this question:  "If you could save Abby and Betty from being harmed in that way by instead harming Calvin, why would you not harm the one to save the two?"

The Transformation of Sir Gawain’s Greenness

As a narrative poem Sir Gawain and the Green Knight imaginatively creates moral suspense -- real suspense around the strength of bravery, integrity, and virtue.  It does so for a community and individuals who might often seem exemplars of honor:  King Arthur and the knights and ladies of his Round Table.  I find this of interest now years after I first read works like Malory’s Le Morte d’Arthur, White’s The Once and Future King, and Tennyson’s Idylls of the King, because of the personal and communal transformation that occurs in Sir Gawain.

When I was a lad, I was most impressed by the ability of Arthur and Lancelot and Galahad and the like to defeat their enemies and achieve success.  Sure, I was aware of some shortcomings in the characters.  But it was their larger-than-lifeness that then captured my readerly fancy.  Now as an adult, I appreciate most the depiction of Arthur and Gawain and the like as simultaneously virtuous and flawed characters who, nevertheless, press on with a sense of duty and fidelity to themselves and to their communities.  At least this is my reaction after recently reading Merwin’s translation of Sir Gawain and the Green Knight and after reflecting on the symbolic transformation of the green belt at its ending.

Making Sense of Wilson, pt. 9: Universal Impulse

In a prior post in which I reflected on James Q. Wilson's book The Moral Sense, I drew attention to the universal impulse in moral sentiment that he identifies:  "The most remarkable change in the moral history of mankind has been the rise -- and occasionally the application -- of the view that all people, and not just one’s own kind, are entitled to fair treatment" (191).  Because it is so remarkable, and because it has such sweeping implications, it is worth probing further this topic about the development of universalism in moral thinking and practice.

We can begin by focusing on a question that Prof. Wilson himself poses:  "How can we explain the great expansion of the boundaries within which the moral sense operates?  How, in particular, can we explain why we believe that moral rules ought to have universal applicability?  This aspiration toward the universal is the chief feature of the moral history of mankind" (194).  Indeed.

Professor Wilson suggests that the long development of consensual marriage, particularly in northwestern Europe, helps to provide a key, but not the only, component of an explanation.

The link between the two, consensual marriage and universal moral applicability, may not be immediately apparent.  The tie, however, is the parallel development in northwestern Europe of individualism.  What is the connection?

Making Sense of Wilson, pt. 5: Duty

I concluded my last post of reflections on James Q. Wilson's book The Moral Sense by noting a desire of mine, namely, to be confident that other people, specifically my friends and family but others also, are dependable. I do not think that I am alone in this.

That post was on self-control. We value self-control as morally virtuous to a significant degree not for its own sake but because it tells us something about the character of the person who possesses it. People with that sort of character are valuable to us both practically (because we are social beings who rely upon and must cooperate with others in our shared lives) and emotionally (because we generally need stability in key areas in order to fare well in our lives). Self-control is virtuous, in other words, because it is necessary to advance praiseworthy human goals in life. Something similar is at work when we turn our attention from self-control to duty.