The Fiction of Sexual Violence, pt. 2: Faulkner

In the first part of this series on the fiction of sexual violence, I briefly explained the twin aspects of "fiction" according to which I will explore this theme.  I began with Toni Morrison's Beloved and a reading of the effects of Ella's experience as a sex slave (quite literally as a slave in the Antebellum South).  And I suggested that we see in her trauma how sexual violence both disables a person's capacity for love (both loving and being loved) and dehumanizes the person in the process.  In Faulkner’s Light in August, the sexual violence between Joe Christmas and Joanna Burden is different.

Butler and Rousseau on Identity

Discussions, often controversial ones, about same-sex marriage are largely, among other things, about one's gender identity.  And discussions about gender identity can vacillate from the deterministic pole ("I was born this way") to the performative pole ("I construct my own 'gender,' which might differ from my 'sex'").  A recent speech by Lori Watson, Director of the Women's and Gender Studies Program at the University of San Diego, illustrates especially the performative emphasis.  The speech was given in support of the Catholic university's Pride organization student group, which was organizing its 2nd Annual Drag Show.  In thinking about contemporary issues involving gender identity, I returned to the influential theorist Judith Butler.  Her 1990 book Gender Trouble is a seminal study of performativity that is influential in gender/queer circles such as Professor Watson's.

As I began Butler's 2004 book Undoing Gender, in which she clarifies her position on this passive/performative spectrum, I began to wonder about the pedigree of her central theoretical claims.  To what extent does her balancing act now between biological determinism and social construction resemble concerns about identity that also flowered in another era like the Enlightenment?

Although Judith Butler herself would likely not draw connections between her critique of gender and Jean-Jacques Rousseau’s critique of the Enlightenment, some noteworthy echoes (and perhaps unacknowledged debts) exist. In particular, her insistence in Undoing Gender that gender “is a practice of improvisation within a scene of constraint” (p. 1) reflects, despite some important differences, a comparable tension that in his discourses Rousseau argued attended human self-invention in Enlightenment society: enslaving liberation, or alternatively liberated confinement. This similarity between Butler and Rousseau appears in several respects: recognition, the paradox of agency, and (in)authenticity.