Emerson and Kant on Enlightenment

Ralph Waldo Emerson's cultivation of self-reliance in his essays both breaks with and continues in some important ways the Enlightenment tradition, particularly that outlined by Immanuel Kant. The breaks are not insignificant, but ultimately Emerson stands more firmly within the basic Enlightenment project than outside of it.

Freud and Woolf on Art

In Civilization and Its Discontents (1929), Sigmund Freud argues that “[l]ife as we find it, is too hard for us; it brings us too many pains, disappointments, and impossible tasks. In order to bear it we cannot dispense with palliative measures” (CD 23). Art is one such “palliative,” one that features prominently in Virginia Woolf’s To the Lighthouse (1927). Whereas for Freud art is merely one means of substituting pleasure for the pain of reality by escaping reality, in Woolf’s novel art also has a palliative function, but it intersects with and merges with reality to induce pleasure, satisfaction, and intimacy within it.

Darwin and Nietzsche on Genealogy

Taking a genealogical approach to an idea -- what is its lineage, family tree, or antecedent chain of births? -- is not new.  Jean-Jacques Rousseau had arguably taken a similar approach to moral degradation and inauthentic living in his "Discourse on the Origin of Inequality" (1754).  (See, e.g., two prior notes on this, here and here.)  It does seem, however, that genealogy more explicitly comes into its own as a method of inquiry in the nineteenth century.  Sigmund Freud himself later will follow much the same path in Civilization and Its Discontents (1930).  When one reads Freud's exploring the genealogical history of human unhappiness with civilization, which he explains by tracing the evolution of guilt in the development of the super-ego, one detects not only the influence of Rousseau's incipient genealogical explorations, but also the more mature and distinct projects of nineteenth-century luminaries Charles Darwin and Friedrich Nietzsche.