Recently I posted about medieval Chinese poetry, and I attempted to produce a poem of my own in one particular mode. However successful that endeavor was, it did start me to think about the state of poetry today. In former times, poetry was read, recited, memorized, and exchanged. It formed communal bonds, and it shaped society's worldviews and mores. What is the state of poetry today?
Showing posts with label Michael Oakeshott. Show all posts
Showing posts with label Michael Oakeshott. Show all posts
Tuesday, December 16, 2014
Saturday, September 29, 2012
Making Sense of Wilson, pt. 10: Character
This is the last post in my series dedicated to reflections on James Q. Wilson's The Moral Sense. The subject, broadly speaking, is character.
In approaching this topic in this final installment, I thought that I would underscore a number of things that stood out in my reading of Prof. Wilson's book. These are some matters that I think are particularly important and will likely stay with me for some time to come. They do relate to character, but some of the strands themselves might not immediately seem to have much to do with it. My catalog of them may even seem a hodgepodge. Maybe it is. By the end, however, the tiles of the character mosaic will, I hope, have come into view, and I will have pinpointed some areas where Prof. Wilson's book has prompted me to think most.
In approaching this topic in this final installment, I thought that I would underscore a number of things that stood out in my reading of Prof. Wilson's book. These are some matters that I think are particularly important and will likely stay with me for some time to come. They do relate to character, but some of the strands themselves might not immediately seem to have much to do with it. My catalog of them may even seem a hodgepodge. Maybe it is. By the end, however, the tiles of the character mosaic will, I hope, have come into view, and I will have pinpointed some areas where Prof. Wilson's book has prompted me to think most.
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